East Baton Rouge Parish Library

Ernie K-Doe, the R&B emperor of New Orleans, by Ben Sandmel ; with a foreword by Peter Guralnick ; [edited by Sarah Doerries]

Label
Ernie K-Doe, the R&B emperor of New Orleans, by Ben Sandmel ; with a foreword by Peter Guralnick ; [edited by Sarah Doerries]
Language
eng
Bibliography note
Discography: pages 267-269Includes bibliographical references and index
resource.biographical
individual biography
Index
index present
Literary Form
non fiction
Main title
Ernie K-Doe
Nature of contents
bibliographydiscographies
Oclc number
756045398
Responsibility statement
by Ben Sandmel ; with a foreword by Peter Guralnick ; [edited by Sarah Doerries]
Series statement
The Louisiana musicians biography series
Sub title
the R&B emperor of New Orleans
Summary
May 1961, and one tune was sitting pretty atop both the R&B and pop charts: Mother-in-Law became the first hit by a New Orleans artist to rule black and white airwaves alike. Ernie K-Doe was only twenty-five years old, and his reign was just beginning. Born in New Orleans's Charity Hospital, K-Doe came of age in a still-segregated South. He built his musical chops singing gospel in church, graduating to late-night gigs on the city s backstreets. He practiced self-projection, reinvention, shedding his surname, Kador, for the radio-friendly tag K-Doe. He coined his own dialect, heavy on hyperbole, and created his own pantheon, placing himself front and center: There have only been five great singers of rhythm & blues Ernie K-Doe, James Brown, and Ernie K-Doe! Decades after releasing his one-and-only chart-topper, he crowned himself Emperor of the Universe. A decade after his death, lovers of New Orleans music remain his loyal subjects. Journalist Ben Sandmel takes readers backstage in this intimately framed biography.Here are all the highs: Billboard raves, rock-star parties, a string of early hits that remain local staples. And here are the lows: profligate spending, go-nowhere releases, and years lost to alcohol. And here, too, is the magical second act: a radio show with a cult following, a new generation, and a fresh lease on life and love. In its broad outlines, K-Doe s story parallels that of his beloved, beleaguered city. He rose, fell, and rose again, weathering storms and lingering long after most considered him down for the count. In the end, he literally rose from the dead: an eerily lifelike statue of K-Doe held court at his castle, the Mother-in-Law Lounge, for years after his 2001 passing. Volume two in the Louisiana Musicians Biography Series, Ernie K-Doe: R&B Emperor of New Orleans features exclusive interviews with Ernie, Antoinette, and more than a hundred musicians, friends, and family members. The series, launched in 2010, exemplifies The Historic New Orleans Collection s commitment to preserving and celebrating the region s unique musical culture."A vital, loving chronicle of the colorful life and frequently hard times of the New Orleans R&B singer and self-styled Emperor of the Universe. To many, Ernie K-Doe (1936 2001) is a one-hit wonder: His evergreen oldie Mother-in-Law topped the pop and R&B charts in 1961. But to New Orleans journalist Sandmel (Zydeco!, 1999), the vocalist was much more, and this smart, funny and richly designed and illustrated book makes a rousing case for the musician as a quintessential Crescent City figure. Born Ernest Kador Jr. in the city s Charity Hospital, K-Doe authored his hit single and other lively R&B tracks for local Minit Records, but a follow-up smash proved elusive. While he maintained a hometown profile as a hardworking performer in the James Brown/Joe Tex mold, K-Doe was best known for years as a DJ on New Orleans WWOZ. There, his lunatic manner, unique lexicon and stream-of-consciousness raps cemented his status as a NoLa institution. Megalomania, alcoholism and a propensity for professional bridge burning left him virtually homeless by the late 80s.However, he enjoyed a second act in the 90s after he opened his famed Mother-in-Law Lounge with wife Antoinette, who restored him personally and professionally. The club, which often doubled as the K-Does living room, attracted a crowd of tourists, oddball locals, young musicians and journalists (including the New York Times Neil Strauss, who had a notorious set-to with the eccentric proprietors while on assignment in 2000). K-Doe s saga didn t end with his death: He maintained a bizarre afterlife at the Mother-in-Law and around town in the form of a life-sized sculpture created by local artist Jason Poirier. Though severely damaged by Hurricane Katrina, the lounge was restored and run by Antoinette until her death in 2009. Despite a multitude of personal faults, K-Doe emerges here as hilarious, complex and indomitable a larger-than-life character altogether worthy of inclusion in the pantheon of his city s oversized musical titans. A vital, essential addition to the shelf of great books about New Orleans." --Kirkus, starred review
Table Of Contents
The importance of being Ernie K-Doe -- An emperor's home is his castle -- Ernie, you are so hard-headed! -- You won't find that in Weber's [sic] dictionary -- Some other kind of a man -- Wings and a chinchilla cap -- Blue diamonds and morphodites -- Bubbling under -- There ain't but two songs that will stand the test of time -- I can't tell ya! -- K-Doe was a teacher -- Down from the mountain -- The emperor and the duke -- Later for tomorrow -- The god with two heads -- I taught him how to play -- Mean streets -- Irene, get the smelling salts! -- I'm giving away diamonds! -- No officer of the court -- Hitting bottom -- Like god removing a devil from his body -- Ernie K-Doe, James Brown, and Ernie K-Doe -- Mister K-Doe goes to Washington -- Theme people and a father image -- Even the most anarchic madness can yield an elegant method -- King for a day -- K-Doe would be so satisfied -- Blessed like you with tonsils gold -- Katrina, you bitch! -- We put the "fun" in "funeral".
Classification
Content
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